I've been a fan of Lidia Bastianich's ever since I first started watching her cook on PBS years ago. When my husband was gifted her "Lidia's Italy in America" cookbook, my admiration only grew (try the Chicken Scarpariello recipe, and thank me later!). Whether in her cookbooks or on her TV series, Bastianich has always presented Italy and Italian cuisine in a realistic light, and I really appreciate that. Italian fare is more than just pizza, pasta, and gelato (though those ARE important and delicious components); Bastianich knows that and embraces Italy's culinary diversity. Needless to say, I was excited to have the chance to interview her for our Autumn 2013 Voicings.
07 March 2011
There is certain arrogance to being a foodie, a sort of lifted-up, unspoken status that of course means absolutely nothing other than the fact that you've survived being raised on Big Agri and have since reinvented your relationship with food. Indeed it is cool to embark on a life of tasting and pairing, spreading and dipping, and of course, adding cheese to anything and everything you can sample it with. And it’s fun to work the gastronome angle, show off your cheese exposure to your pedestrian-palate friends, dropping names and saying it properly as well. Admit it, it’s equally as fun to whip out the arbitrary seasoned or wine-crusted piece in gorgeous wrap and pass it off as just some little nothing lying around in your humble Sub Z. Admit it, knowing what’s out there is a constant source of amusement. Which brings me to my latest game: introducing myself as a blogger for an American cheese magazine, while befriending the Lunigianese artisan cheese producers and sampling everything in sight. Well it’s true, isn’t it? Wouldn’t you do it?
17 January 2011
Podere Conti, Pontremoli, Italy
Tonight I really gained insight into the birth of opera. The depth of tradition and honor in this country is something you can feel deeply in your cells, and with a little research one can integrate quite smoothly. I recommend starting in the kitchen, since it is the most sacred of spaces, second only to the centuries-old churches perched high on mountaintops and nestled into villages. The birth of an opera in this century, one might think, is highly unlikely, but I can assure you that an American in the kitchen of a traditional Italian home is a think tank for operatic composition.